I engage with art-making through the process of imprinting. It is an act of embedding and leaving behind traces of activities and presences that once lived. Within the residue of imprinting, there resides the tangible verification of unattainable past that has died and gets re-lived through the act of seeing. Unlike cinematography, which is displayed in time, drawing serves as a still record of time: a record of time lapsed where moments fade into one another, thus becoming inseparable. As layers of marks accumulate on a singular plane, the lap of time permeates this plane and introduces the duality of a perpetually fluxing reality: the pitifulness of temporality, and the joy of emergence.

Education

2021

BFA, summa cum laude, Fine Arts, Fashion Institute of Technology, New York, NY

Selected Group Exhibitions

2024

Contemporary Landscape, CICA Museum, Gimpo, Gyeonggi-do, Korea 


2023

MOONSquare, Think!Chinatown, New York, NY
Transplants, Amos Eno Gallery, Brooklyn, NY  
Movement, Asian Contemporary Arts Alliance (virtual)


2021

Around the Corner, Gallery FIT, Museum of Fashion Institute of Technology, New York, NY
I Hope This Finds You Well, M. David & Co. Gallery, Brookly, NY (curated by Yevgenia Baras)


2019

Printfest, IPCNY, New York, NY
Iridescent, Alpha Workshop, New York, NY


2018

Expression of Civility, Gladys Marcus Library, Fashion Institute of Technology, New York, NY

Press/Publications

2024

Exposed Brick Literary Magazine, Issue 5: Time Capsule, Lawrence, MA

Panels

2021

Reversed Gazer in Lynda Benglis: Female Body in Art, SUNY New Paltz Art History Symposium (virtual)

Awards

2021

Joseph J. Amato/Mary A. Mills Memorial Award, New York, NY


2019

Global Scholar Award, Fashion Institute of Technology, New York, NY
Fine Arts Departmental Award, Fashion Institute of Technology, New York, NY